Uzi comments about life and art including his own early work with legendary film maker and performance artist Jack Smith, Loisaida legend Carmelita Tropicana and his Live Film collaborations with Ela Troyano. ...and now The Uzi Way includes original Easy Uzi recipes.
Friday, March 9, 2012
The Piers: Art & Sex Along the New York Waterfront
Friday, December 9, 2011
Uzi's Easy ChillOut Chile
Sunday, November 27, 2011
Saturday, November 19, 2011
'TWAS THE MONTH BEFORE CHRISTMAS
It was Drunken Rick Perry to give Christians cheer.
He prayed and he joked and then he got serious
"I'm all for the killing." The crowd went delirious.
"Where's all the white women? I'll give them their choice."
"I'll find them a job if they do as I say."
"Just give me a b-job and get out of my way."
"It is me. It is I and I'm going to preach."
"I know all the right things; I know what to do."
"For I'm the only American who's tried, tested and true."
"Just listen to me. I've come to save the day."
"I'll flip and I'll flop with such cunning and dare,
You won't even notice my Holy Underwear."
"Just look at them all. There's not one you can Trust."
"We must destroy the whole system, go back to the start."
"Adhere to the original and our forefather's first fart."
His wife was in the hospital and he was hitting on guests.
She wasn't quite gone but he was thinking ahead
"Who next should I have in my home, in my bed?"
Ann Coulter was screaming "My new book! It's a Tattler."
"Death to all who doubt me or fall from my grace."
That brought a big smile to old Rick Perry's face.
But he got very lost when drugs began to run out.
John Bonher was there but had little to say.
Repeating "Yes that's my name but don't pronounce it that way."
He heard it was for Christians but he was a Jew.
He went to the Tea Party. He thought it would be nicer.
Their motto: "Believe what we say or step into the slicer."
Dick Chenney, Don Rumsfeld, the Republican hoards.
When only the good people, you know who we mean,
the money people who support and are not seen.
About all of the wonders of Christ their great King.
They brought forth the picture of the Christ they had known
It was Ronald Reagan with a crown on a thrown.
Tuesday, November 15, 2011
Uzi's Easy Baked Japanese Sweet Potatos
I used eight small Japanese sweet potatoes-their skin is more reddish but inside they are yellow.
Wednesday, November 2, 2011
On today's menu vegetarian cauliflower soup
Ingredients:
One large cauliflower-cut into fairly small pieces, a large yellow onion-chopped, 1 quart of vegetarian stock, 1/2 cup of half and half, teaspoon of salt and 1/2 teaspoon of pepper, 1 ounce of soy sauce, few dabs of hot sauce, 5 or 6 tablespoons of olive oil.
Heat the oil and sweat onions in a soup pot, add salt and pepper. Add the cut cauliflower and saute with the onions and oil till cauliflower softens, about ten minutes. Add the soy and hot sauce and saute another 3-5 minutes. Pour in the stock to cover cauliflower and cover pot with a lid. Bring to a boil then reduce heat and simmer for 15-20 minutes. Mash up cauliflower in the pot using a hand blender ( a potato masher will do as a substitute) until the texture is rough but no whole chunks remain. Add the half and half, bring almost to a boil then reduce heat and let simmer for an hour or longer. Add additional seasoning to taste.
This is delicious served with some grated parmesan on top or a crustini with melted mozzarella.
Pashtida
Pashtida is a crustless quiche. I prepared this particular version for a Halloween eve dinner with the legendary Mario Montez who is in town to speak at MoMA's Jack Smith screening November 13 at 3pm.
It was a particular hit and I've been asked to share my recipe.
1lb ricotta, 1/2lb mozzarella cheese-grated, 1/4lb parmesan-grated, 4 eggs, 1lb frozen chopped spinach, 1 largish onion-chopped, 5-6 garlic cloves-chopped, dash of salt, pepper, 2tbs olive oil. Heat oil in large skillet at med-high heat, soften onions, add garlic and then spinach, mix untill the spinach has soften and almost cooked through. Let mixture cool. Whip eggs in a large bowl, add salt and pepper than ricotta. When it is an even color add the 2/3 of the mozzarella cheese and 2/3 of the parmesan to mixture, mix well and then add the cooled spinach and allium and mix well again. Pour in a ceramic or glass 9x13 baking pan and sprinkle the remaining cheeses on top then bake in a preheated oven at 350 degrees for 35-40 minutes. It is done when a fork plunged in the center comes out clean. Pashtida is very flexible and all of the ingredients except the eggs can be modified to taste. It can be served hot, at room temperature or straight out of the fridge and is yummy for at least 2-3 days after baking.
Thursday, October 20, 2011
Jack Smith at Moma November 13-25
Untitled. Jack Smith. 1982. Copyright Jack Smith Archive. Courtesy of Gladstone Gallery, New York. Photograph by Uzi ParnesTuesday, July 12, 2011
I SHOT JACK; TWO will be screened 7/27 21:45 at Kino Helios
I am thrilled that my expanded cinema performance with Ela Troyano has been included in this exciting festival. We are doing an all new version of I SHOT JACK; TWO.
Thursday, July 7, 2011
We will be celebrating Mario Montez's birthday with the legend and Superstar in Berlin July 30
One Flaming Day in a Rented World!
Tuesday, July 5, 2011
Jack Smith in Wrocklaw Poland
See I Shot Jack Two, my show with Ela Troyano on July 27th 9:45 in Wroclaw, Poland and on July 30th at the Kino Arsenal: Sony Center in Berlin, Germany
Friday, May 6, 2011
JACK SMITH: Legendary Filmmaker, Theatrical Genius and Exotic Art Consultant
Monday, May 2, 2011
Detritus 2 and I
I've been asked to introduce four early Jack Smith films at The Barbara Gladstone Gallery on West 24th Street this Saturday at 4pm, hope you can come... and please visit me and Detritus 2 in Brooklyn at 135 Broadway in Williamsburg, Saturday May 14 from noon to six, the entrance to the gallery is directly across the pedestrian exit off the Williamsburg Bridge, on Bedford Street.
Monday, April 25, 2011
More about my Raschenholback at the Detritus show.
“Trash is the material of creators. It exists if you approve or not.” Jack Smith
Uzi Parnes: Detritus 2 – Rauschenholback, 2011, 36” x 36”
Found plywood, found shelf, cardboard, acrylic paint, photos, transfer photos of west side piers on fabric, water pistol parts, metal tape, hinges, feathers, toys, bungee cord, electric lights.
Though I have always used found objects in my constructions—“photo-chandaliers” this Detritus series was inspired by the 2010 Robert Rauschenberg show at the Gagosian Gallery. In particular I was impressed with some of his early work using found materials such as cardboard and wood. The premise for Detritus 1 was “I Can’t Afford To Buy A Rauschenberg So I’ll Try To Make One Myself.” Detritus 2 my Rauschenholback photo-chandalier takes the concept a step further to combine the inspiration of Rauschenberg, Andy Warhol and Haim Steinbach and also create a final resting place for one of the two priapus chandaliers created for my Day Of The Dead Alter For Jack Smith Installation at the Jack Smith/Live Film Festival in Berlin, 2009.
Thursday, April 14, 2011
Wednesday, March 23, 2011
Detritus 2 my Rauschenholback

My newest Photo-Chandalier will be part of the Detritus Show in Williamsburg opening April 23.It’s happening again! The exhibit “Art of Detritus: Recycling with Imagination" features fine art from cast-off materials created by professional artists from throughout the world. The heart of this exhibit is the message of the three R's: Reduce/Reuse/Recycle & UPCYCLE!
The Show is curated by Vernita N'Cognita
Though I will not be able to make the opening I believe it will be quite a party...
Tuesday, January 11, 2011
Monday, January 10, 2011
Wednesday, September 1, 2010
CARMELITA GETS THE SPIRIT
Thursday, July 29, 2010
Wednesday, July 21, 2010
PARIS CHANDALIER X3
PARIS CHANDALIER X3
http://www.youtube.com/watch?v=ky1IQZBP53k
Paris Chandalier (sic) X3 is conceived as a three channel video installation.
The piece began as a parody of YouTube travelogues and evolved to include an examination of context and meaning derived from music and its effects on visual perception. My intention was to parody the customary city travelogues strung together for many of the world’s great cities by piecing images of their most famous icons. In Paris, these are the Eifel Tower, Arc De Triomphe, Champs Elysees. In my version of the “travelogue” the Eifel Tower is not recognizable when it appears, and often not perceived at all in the abstract photos that depict it or the other landmarks.
The piece utilizes a series of about 80 images shot in Paris in December and January 2009/10. The images are all of light and capture the “City of Light” in an abstract painterly manner that transforms it into pure light and color. Intended to be seen from three monitors that are suspended, as a triangular chandelier the work continues my exploration of “Photo-Chandaliers” a term I coined to describe the objects I created that combined elements of both. These Photo-Chandaliers evolved from my 1982 performance “Chandalier Fashion Show” starring Jack Smith. In 1984 I co-founded East Village performance club Chandalier (often spelled Chandelier by others.) There the Photo-Chandaliers were created initially as part of the décor. Subsequently, they have evolved and in Paris Chandalier X3 I am striving to transform the abstracted photo images of the city of light hanging them from video monitors as a chandelier.
To the images I wanted to add music and chose three distinctly different renditions of Cole Porter’s classic song I Love Paris-a personal favorite. With the music I was interested in giving the flavor of the city as an American in Paris. I discovered as I produced the tape that each of the renditions of the classic song created a unique quality though in each sequence the images remain identical. The timing was shortened or elongated to fit the music but the visual sequence remained identical. Yet, each song creates a unique atmosphere, which interacts with the images distinctly. Together the three sequences create a much more vibrant portrait though albeit it remains an abstract one.
Paris Chandalier X3 is intended to be seen ultimately as a three channel work. I envision the viewer able to move around the suspended triangle of monitors, each playing a single version of the song, which are of different lengths. As the three sound areas interact I am interested in the soundscapes that will be created where the songs bleed into each other acoustically. Since the songs are of different lengths, these acoustic spaces will be in constant flux as different sections of each song overlap. To transform the uploaded Paris Chandalier X3 into a three channel piece: place 3 laptops or I-pads in a triangle, FF to beginning of each channel, and start all 3 versions simultaneously.
Saturday, February 27, 2010
Translation of Excerpt from Article by Jan Kedeves, Berlin

Wednesday, February 24, 2010
A REVIEW OF THE SILENCE OF MARCEL DUCHAMP
The taz print archive
Here you can browse through old editions taz:
- 22/02/2010
The teddy bear is against Guido
Not merely the QUEER SUJETS now losing sight of social relationships: Despite the almost traditionally failed gala ceremony of the Teddy Award in 2010 had its beautiful moments
BY JAN KEDVES
This year could make the organizers of the Teddy Queer Film Award at a total of 61 films in the Berlinale program queer subjects. At a certain total number of 400 films shown not a bad cut.
This is by far the queerste film event of the Berlinale was not even included. The New York filmmaker Uzi Parnes and the Cuban filmmaker Ela Troyano übereinandergeblendet had on Thursday night at the Arsenal, in the framework of the Forum Expanded Program, in its performance "The Silence of Marcel Duchamp," a wild orgy of noisy images: pictures of naked Adonis, documentary photos Fuck of the pier (those used in the eighties to the public Cruising abandoned warehouses in the port of Manhattan), deafening Sägegeräusche by John Zorn and a live reading of the Berlin actress Susanne Sachsse. This was a performance in the tradition of "live movie" concept by Jack Smith, which it always was to find possible irreproducibility, unconventional, and thus unkommerzialisierbare form for film.
Uzi Parnes, who cooperated in the eighties with Smith and Troyano, received in 1994 for her short film "Carmelita Tropicana," a Teddy Award in Berlin, braced themselves in this way, not least against the cinematic Ultrakonventionalität with which, paradoxically, especially the documentary of the queer This year's Berlinale program herumödeten. One example is known: James Razin "Beautiful Darling: The Life and Times of Candy Darling," which makes the life of a glamorous Warhol drag superstar zusammenschnurren privatfernsehgerecht a tragic freak story.
Teddy awarded with a trophy on Friday night were finally Lisa Cholodenkos lesbian family comedy "The Kids Are All Right" (Best Feature), Pietro Marcello's La bocca del lupo "(Best Documentary) and James Franco's" The Feast of Stephen "(Best Short). Have become James Franco, Sean Penn's Lover already last year appeared in "Milk" and could be seen in this year's competition in "Howl" as Allen Ginsberg, seems to have fun out something like the gayest hetero Hollywood too.Congratulations!
The Audience Award at the Victory Column magazine was "Postcard to Daddy", a documentary by Michael Berliner of the floor on his firsthand experience sexual abuse by the father. Wieland Speck, director of the Panorama section, said, "Postcard to Daddy" was the first film to deal with the taboo subject of child abuse "authentic and unverlogen.
So far, so encouraging. Only the gala came - this time at the track triangle in the halls of "Station Berlin" - as in the last few years entertainerischen tragedy. It already started with the presentation: Because an evening gala was broadcast later on Arte, led once again completely impossible Arte Conférencier Annette Gerlach of the evening. They crossed the winners on stage with flat jokes and demonstrative pals, the teddy she either called "Deddy" or "Tetty. Even the appearance of Ton Steine Scherben Rio Reiser's honor, who would have turned this year 60, was a disaster. Not only the remaining shards members contributed to "Hold your love down" military hussar jackets, as if they would suddenly become the Sgt Pepper's band, also the choice of Ich + Ich singer Adel Tawil as a substitute Reiser was a bad mistake . Claudia Roth still felt provoked to standing ovations.
Klaus Wowereit, in his welcome address then consistently used the outdated terminology "gay and lesbian" instead of "queer", so dazzled by the many other teddy represented trans-, bi-and poly-out identities. After all, he gave the order then with the Special Teddy for his life's work honored Werner Schroeter, the through ball: In his moving acceptance speech, Schroeter noted how gratifying it was for the Teddy Award, now at 24 Given time, today it encompasses much more than just "Gay" and "Lesbian". There was a poetic appeal of the director, not to be satisfied with its achievements and not lose sight of social relationships.
What he meant to say was quite clear - only it was perhaps worded a little too elegant. The biggest cheers of the evening certainly echoed through the long hall, one of the Arte-cameramen zoomed in the audience to Rosa von Praunheim basketball lawn green jacket and the message of the blue and yellow buttons sparkled on his lapel on the large screens: "Gays against Guido."
Wednesday, February 10, 2010
Saturday, February 6, 2010
THE SILENCE OF MARCEL DUCHAMP
BY ELA TROYANO & UZI PARNES
AT THE 60TH BERLINALE--FORUM EXPANDED
Thursday, Feb. 18 at 9pm @ Kino Arsenal 1
The title of this live film performance comes from a graffiti – the silence of Marcel Duchamp is overrated – found on a wall in an abandoned pier on the West Side Highway in New York City. The piers were a meeting ground for gay sexual encounters in the late 70’s and early 80’s. Partly in ruins, with long hallways, open rooms, broken windows, all surrounded by water, the piers were photographed, written about and filmed before they were torn down by the 90’s. The piers no longer occupy a physical space but they have since evolved into a historic artistic presence, becoming a metaphor for a shared past.
The performance includes music by John Zorn: Beuysblock, a portrait of the late artist Joseph Beuys. It begins with images of the pier, male torsos, cave like drawings, urinals, the Hudson River, a spectacle memorializes the creatures that inhabited the piers. Toy soldiers seen through broken shards of glass are a playful take on the „Uzi“ machine gun, referencing his expatriate Israeli and Jewish upbringing. His torn Barbie dolls and drag divas are superimposed on Troyano’s projections: a burst of fireworks and ballerina shadow play. What appears to be an image of a graphic fence is a projected fragment of a small mesh evening bag, one of the few things her mother was able to bring from her native La Habana, Cuba.
Thursday, January 28, 2010
Thursday, September 17, 2009


SO MUCH OF WHAT IS PUBLISHED ABOUT JACK SMITH IS INACCURATE, BUT I WAS DISMAYED TO SEE ON WIKIPEDIA AND NUMEROUS SITES THAT HIS PASSING HAS BEEN MOVED UP TO SEPT. 25, 1989. THIS IS SIMPLY WRONG. I AM PUBLISHING THE CARD FROM HIS MEMORIAL ON OCT. 16. JACK PASSED ON SEPT. 18, ---09-18-1989. (I do not know the photographer's name in this early photo.)
Tuesday, September 15, 2009
Jack Smith 20th anniversary of his passing Sept. 18, 1989
Friday on Rosh Hashana it will be the 20th anniversary of Jack Smith's passing. I am still haunted by the guilt I feel at not stopping Alan Ginsberg from taking Jack's photo as he lay helpless attached to tubes at Beth Israel hospital. I was not there alone, two friends were with me, but I was the official monitor, there expressly to mediate between Jack and the hospital.
Thursday, November 27, 2008
HAPPY THANKSGIVING
Saturday, November 15, 2008
FIGHT H8 -- MARRIAGE IS A CIVIL RIGHT
Wednesday, November 5, 2008
AN OPEN LETTER TO PRESIDENT ELECT BARAK OBAMA
Monday, October 6, 2008
VOTE NO ON FLORIDA'S AMENDMENT 2
Tuesday, September 16, 2008
WHY DOES MIAMI BEACH OUTLAW THE RAINBOW FLAG
How many of you knew that the City of Miami Beach still bans the display of the gay flag. Now as bad as this does seem, this particular Miami Beach ordinance is not intentionally homophobic, but allegedly part of the restriction on flying the flag of anything but a "Sovereign Nation" Well excuse me but the glbt nation is way more then SOVEREIGN and its time to change these antiquated laws or get left behind by FORT LA DE DAH. Get with it Miami Beach, make this first Gay Pride on the beach, this next April 18, 2009 the Queerest Flag Flying Florida Fest of all times.
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